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Ralph Waldo Ellison,
born March 1, 1914, in Oklahoma City, OK; died of cancer, April
16, 1994, in New York, NY; son of Lewis Alfred (a construction
worker and tradesman) and Ida (Millsap) Ellison; married Fanny
McConnell, July, 1946.
Ralph Waldo Ellison, named after the
preacher-philosopher Emerson, was born in Oklahoma in 1914.
His father [Lewis Alfred (a construction worker and tradesman)]
died when he was three years old, and he was brought up by his
mother, who worked as domestic help in white households in order
to support herself and her two sons.
At the age of nineteen, he won a scholarship to study music at
the Booker T. Washington Tuskegee Institute. In 1936, he went to
New York and there met the black writers Langston Hughes and
Richard Wright. He started contributing to the Federal Writers'
Project, set up as part of Roosevelt's New Deal, and soon his
short stories and articles began to appear in magazines and
journals. In 1943 he joined the United States Merchant Marines
returning to New York after the war. Awarded a Rosenwald
fellowship he was able to concentrate on his writing and, seven
years after starting it, his masterpiece Invisible Man (1952)
was published. Immediately recognized as a classic in its own
time, and described as a "touchstone of the 1950s", it won the
American National Book Award and established Ellison as one of
the major figures of twentieth-century fiction. He also
published two collections of essays, Shadow and Act (1964) and
Going to the Territory (1986), but his second novel, which he
worked on for over four decades and repeatedly declared to be
'virtually finished', never appeared. Flying Home and Other
Stories (Penguin 1996) is a collection of both published and
previously unpublished short stories.
Ellison was highly regarded by both the literary and academic
worlds. He was Fellow of the American Academy in Rome from 1955
to 1957 and on his return held several visiting professorships;
latterly being Albert Schweitzer Professor in the Humanities at
New York University. He received the United States Medal of
Freedom in 1969, became Chevalier de l'ordre des Arts et Lettres
in 1970, and received the National Medal of Arts in 1985. Ralph
Ellison died in 1994 [of cancer, April 16, 1994], survived by
his wife of forty-eight years [married Fanny McConnell, July,
1946]. In his obituary, The Independent declared him "a great
gentleman, indeed a noble man, and the remarkable mythologising
author of ... the great American Negro novel."
Author biography courtesy of Penguin Books LTD.
No, I am not a spook like those who haunted Edgar Allan Poe;
nor am i one of your Hollywood-movie ectoplasms.
I am a man of substance, of flesh and bone, fiber and liquids-and I might even be said to
posses a mind.
I am invisible, understand, simply because people refuse to see me.
Like the bodiless heads you see sometimes in circus sideshows, it is as though I have been
surrounded by mirrors of hard, distorting glass.
When they approach me they see only my surroundings, themselves, or figments of
their imagination-indeed, everything and anything except me.
- Ralph Ellison
Ralph Ellison: A Biography
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by Arnold Rampersad
ISBN: 0375408274
Pub. Date: April 2007
Format: Hardcover, 672pp
Publisher: Knopf Publishing Group
"As Arnold Rampersad astutely observes in this
fascinating, revelatory biography, Ellison's writings took careful note of
his fellow blacks' creation of "certain bulwarks against chaos, including
religion, folklore, stable families, and a canny knowledge of Jim Crow."
—Jabari
Asim - The Washington Post
Read an AALBC.com Review
The definitive biography of one of the most important American
writers and cultural intellectuals of the twentieth century—Ralph Ellison,
author of the masterpiece Invisible Man.
In 1953, Ellison’s explosive story of an innocent young black
man’s often surreal search for truth and his identity won him the National Book
Award for fiction and catapulted him to national prominence. Ellison went on to
earn many other honors, including two presidential medals and election to the
American Academy of Arts and Letters, but his failure to publish a second novel,
despite years of striving, haunted him for the rest of his life. Now, as the
first scholar given complete access to Ellison’s papers, Arnold Rampersad has
written not only a reliable account of the main events of Ellison’s life but
also a complex, authoritative portrait of an unusual artist and human being.
Born poor and soon fatherless in 1913, Ralph struggled both to
belong to and to escape from the world of his childhood. We learn here about his
sometimes happy, sometimes harrowing years growing up in Oklahoma City and
attending Tuskegee Institute in Alabama. Arriving in New York in 1936, he became
a political radical before finally embracing the cosmopolitan intellectualism
that would characterize his dazzling cultural essays, his eloquent interviews,
and his historic novel. The second half of his long life brought both widespread
critical acclaim and bitter disputes with many opponents, including black
cultural nationalists outraged by what they saw as his elitism and misguided
pride in his American citizenship.
This biography describes a man of magnetic personality who
counted Saul Bellow, Langston Hughes, Robert Penn Warren, Richard Wright,
Richard Wilbur, Albert Murray, and John Cheever among his closest friends; a man
both admired and reviled, whose life and art were shaped mainly by his
unyielding desire to produce magnificent art and by his resilient faith in the
moral and cultural strength of America.
A magisterial biography of Ralph Waldo Ellison—a revelation of
the man, the writer, and his times.
Juneteenth
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Amazon
Publisher: Random House, Incorporated
Date Published: May 1999
Format: Trade Cloth
The long-awaited literary landmark — Ralph Ellison's second novel.
Read more about this book including a sample
chapter
In Washington, D.C., in the 1950s, Adam Sunraider, a race-baiting senator
from a New England state, is mortally wounded by an assassin's bullet while
making a speech on the Senate floor. To the shock of all who think they know
him, Sunraider calls out from his deathbed for Hickman, an old black minister,
to be brought to his side. The Reverend summoned; the two are left alone. Out of
their conversation, and the inner rhythms of memories whose weight has been
borne in silence for many long years, a story emerges. For this United States
senator, once known as Bliss, was raised by Reverend Hickman in a religion- and
music-steeped black community not unlike Ralph Ellison's own childhood home. He
was brought up to be a preaching prodigy in a joyful black Baptist ministry that
traveled throughout the South and the Southwest. Together one last time, the two
men retrace the course of their shared life in "an anguished attempt," Ellison
once put it, "to arrive at the true shape and substance of a sundered past and
its meaning." In the end the two men arrive at their most painful memories,
memories that hold the key to understanding the mysteries of kinship and race
that bind them, and to the senator's confronting how deeply estranged he has
become from his true identity.
Invisible
Man
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Publisher: Random House, Incorporated
Date Published: March 1995
Format: Trade Paper and Trade Cloth
Publisher: Random House, Incorporated
Date Published: May 1994
From The Publisher:
Invisible Man is a milestone in American literature, a book
that has continued to engage readers since its appearance in 1952. A first novel by an
unknown writer, it remained on the bestseller list for sixteen weeks, won the National
Book Award for fiction, and established Ralph Ellison as one of the key writers of the
century. The nameless narrator of the novel describes growing up in a black community in
the South, attending a Negro college from which he is expelled, moving to New York and
becoming the chief spokesman of the Harlem branch of "the Brotherhood", and
retreating amid violence and confusion to the basement lair of the Invisible Man he
imagines himself to be. The book is a passionate and witty tour de force of style,
strongly influenced by T.S. Eliot's The Waste Land, Joyce, and Dostoevsky.
Shadow
and Act
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Amazon
Paperback: 352 pages
Publisher: Vintage (March 14, 1995)
Language: English
ISBN-10: 0679760008
ISBN-13: 978-0679760009
Product Dimensions: 7.9 x 5.1 x 0.8 inches |
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Flying
Home: and Other Stories
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Amazon
Paperback: 224 pages
Publisher: Vintage; 1st Vintage International Ed edition
(January 12, 1998)
Language: English
ISBN-10: 0679776613
ISBN-13: 978-0679776611
Product Dimensions: 8 x 5.2 x 0.7 inches
Review from Publishers Weekly
To read Ellison's early short stories after having read
Invisible Man is like looking at the first sketches and
blueprints of parts of the Taj Mahal after having stood
in the complete palace itself. Most of these 12 early
stories (written between 1937 and 1954) are clearly
apprentice work in which Ellison is struggling for
control of voice, timing and structure. In the earliest
work (including "Hymie's Bull," his very first story),
Ellison tries to shoehorn his own experience, including
hoboing freight trains in the 1930s, into some boxed-in
notion of literary form. But Ellison was a fast learner.
While the four stories featuring the antics of Buster
and Riley, two smart-mouthed African American boys, owe
more than a bit to Mark Twain's Huck and Tom, they also
show Ellison developing more supple language and a comic
touch. "A Party Down at the Square" (discovered by
Callahan, his literary executor, shortly after the
writer's death in 1994), is an account of a lynching
breathlessly narrated by a white Cincinnati boy visiting
his uncle in Alabama. In the dramatic title story, Todd,
a black pilot, a northerner trained at Tuskegee,
crash-lands in rural Alabama and is rescued from redneck
medics by Jefferson, an old black man exuding rustic
ways and folksy tall tales. Though Jefferson represents
everything Todd is trying to escape, the old man's
wisdom and quick thinking ultimately lead the pilot to a
reaffirmation of his roots. In these later stories, the
moral core of Ellison's great novel is apparent: the
passion for simultaneously exploring black identity and
American identity, the determination to write deeply
about race without writing only about race. His stories
display, individually, the commitment to craft and,
collectively, the acquired range that later enabled him
to assemble, block by block, one of the great monuments
of American literature. Copyright 1996 Reed
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